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I envision this timing likely established during the Palladium era but I have not validated that. Eddie Torres started showing and popularizing this timing beginning in the 1980's, from what I comprehend. He was mentored by the late June Laberta, a ballroom dance teacher, who aided him establish his method and timing.

The story I'm regularly told here, that still requires more investigation, is that as salsa began reaching brand-new target markets beyond the Caribbean and New York, it was easier and extra instinctive to show cultural outsiders to dance On1 as opposed to On2. This story doesn't account for the reality that I've listened to Rueda de Casino site was originally danced a tiempo On3 in Cuba.

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Salsa On1 is just one of different salsa timings you can dance to and it is the most typical timing you'll discover in the globe today. Salsa On1 timing interpretation: "On1" suggests you start dancing on the first beat of the bar of music the 1. Your break actions (instructions adjustments) get on beats 1 and 5.

The exceptions I have actually found so far, where On2 is most common, would be around New York and in South Korea (Salsa San Francisco). I'm certain there are other areas that dance mainly On2 however I haven't danced in every country! If you're uncertain what timing is most common where you live, ask your local dancing workshop

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When somebody says "I dance salsa On1" they possibly indicate "I dance linear design salsa On1" (although you can dance any design of salsa On1, individuals normally mean straight style). Do not fret if you've stated these things in the past, it's all great we all have! The important point is to remember there's a distinction between design and timing and strengthen your understanding so you can be more precise when speaking about salsa with your friends.

It attaches nicely with the phrasing in the songs, specifically the piano, and other percussion tools like the cow bell and giro. Timing and design are two different things, so different the concepts when you chat regarding salsa with your buddies. Regardless of what timing is most usual in your area of the globe, remember you can practically dance any style of salsa to any kind of timing check out and take pleasure in!

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There is an original mambo dance that came from Cuba and then spread to Mexico and New York in the 40s and 50s, these days when a person claims "I dance mambo" they indicate salsa On2, which is different than the original mambo dance. The occasional free-from actions of the original mambo were danced solo.

As the dancing began to spread, On1 timing started to come to be prominent. Salsa On2 meaning: "On2" means you begin dancing on the initial beat of the bar of music the 2.

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A great deal of professional dancers appreciate dancing On2 for the diverse ways you can link to the songs. Boy cubano is the songs and dance that preceded mambo and salsa.

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It connects well to the clave, bass and conga - Bachata Dance San Francisco. Cha-cha is similar to dance On2 contratiempo but you add the triple step on 4 and 8. Although danced to the exact same beats as On1, your break steps are now on 2 and 6, which changes the feel of the dance.

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This timing is almost the same to contratiempo On2 yet the steps that are generally on 4 and 8 are on 4. It's practically like a timing in between a tiempo and contratiempo.

5 rather than 5) you're dancing this syncopated timing. If you're dancing contratiempo and you tip half a beat late in the home setting (on 4. 5 as opposed to 4) you're dancing syncopated timing. Actually it seems it's typically danced as type of a "error" for anybody dancing the previous two timings.

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As pointed out earlier, this was the first analysis of dancing on clave (boy clave), where the Puerto Ricans would certainly straighten their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The idea is to straighten as lots of steps of your standard as possible with the strikes of the son clave.

The point regarding music and dancing is that there is no right or wrong. There is simply interpretation. You can dance on any timing you such as! Naturally, individuals have located a way to dance on almost every timing feasible to child and salsa music. Individuals dance On3 for the same factor you dance On1 because it emphasizes the solid beats of 1-3-5-7.

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Let's check out the beats you dance On1 to: -2-, -6- (solid beats are in bold) Allow's take a look at the beats you dance On3 to: -4-, -8- (solid beats remain in bold) Notice how the solid beats are spaced specifically the very same for On1 and On3? All you do is start stepping On3 rather than On1.

That's why dancing On3 is so typical in Latin America. Individuals either Attempt to dance On1 yet start tipping On3 by crash and it exercises just fine, or They don't know much about timing and are just translating what they hear in the songs, based upon their experience maturing in a society with salsa.

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